The illustrations on the cards are not necessarily for the same number in the same suit. This is true for the 3 of Swords in both decks but not for the two other cards. He could use a different number in the same suit (look at the 6 of Coins in the Sola Busca deck and the 8 of Pentacles in the RWS deck) or the same number in a different suit (like the 10 of Swords in the Sola Busca deck and the 10 of Wands in the RWS deck). Independent of the differences, the resemblances of these illustrations, and some others not shown here, are striking
The Sola Busca deck has a very special place in the history of Tarot. It is the oldest (1491) complete deck we have. Actually it is property of the Pinacoteca in Brera, an art museum in Milan, Italy. The deck is not on a permanent exposition, for seeing it, a special autorisation is required. The next oldest deck dates from the early seventeenth Century, the so called Tarot of Paris. The French National Library in Paris has a copy of this deck.
In contrast to the Sola Busca and the RWS decks, most of the ancient decks have only symbols, there are in most cases almost no illustrations except for some floral decorations. Examples are shown in the next figure, where we see first three pip cards of the 15th Century Italian Brera Brambila deck and the corresponding cards of the TdM deck signed with the name Jean Dodal. The Brera Brambila deck was created in Milan during the last years of the reign of the Duke Filippo Maria Visconti, who died in 1447. The Jean Dodal deck was created over 250 years later in the beginning of the 18th Century in the French town Lyon.
On this site we will try to show you how the Tarot developed, from its early beginnings up to approximatively the 18th Century. You will see how the different suits represent the cycle of being born until giving life yourself, how the pip cards represent the cycle of life from Birth to Death and how the 22 trump cards give a detailed description of all facets of human life. The Tarot started as a game, with both the suit symbols and the illustrated trumps carrying a message for its users. The message behind the cards changed over time as did the structure of the deck. There are very few objects on Earth having such a rich and mysterious history of the Tarot.
On these pages you will find very few words about interpretationg the Tarot. That is because my philosophy of the Tarot is rather different from most scholars. Tarot has a general structure that can be applied to any deck. Details on a specific card have no importance for an correct interpretation of a card, in contrary, they can mislead the interpretation. Details on a card are details that have been added by a specific cardmaker, mostly to clearify his interpretation of the card. So details are very important to understand a specific deck, but they are of almost none importance for the general understanding of the Tarot. Worse, they guide tour interpretation and limit your own intuition. Let me illustrate this with an example.
At the left the six of Coins of the sixteenth Century Rosenwald deck (actually conserved in the National Art Gallery in Washington who kindly provided me the images of the deck) and at the right side the six of Pentacles of the RWS deck published in 1910. On the RWS deck we see a rich person giving pieces of money to some poor people. You might immediately think at giving or receiving a gift. However, this is not at all the interpretation that flashes through my mind looking at the six of Coins of the Rosenwald sheet. The number 6 is the number of Harmony, and the suit of Coins has to do with yourself. So for me the six of Coins indicates that the consultant is in harmony with his life. He has no financial problems and his health is good. The drawing on the RWS deck is very misleading. I chose this example because it is a classical example. Waite did not invent his interpretations of the cards, they were for a big part based on the interpretation of French occultists. In the interpretation of Etteilla, there was the word "Présent", that means "Now". Waite followed the translation of Samuel Mathers, who misunderstood this word (Paul Huson, Mystical Origins of the Tarot, 2004) and translated it as a present, a gift. Conclusion, the poorer the illustrations on the card, the richer the possible interpretation. This does not mean that details are allways bad, sometimes they might help in a better understanding of the structure of the Tarot. Later more on this topic.
So, be welcome on my site, as a guest on this astonishing journey through the Tarot.
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