The Virtue Prudence and the World



On the left card coming from the Estensi deck, we see the Virtue Prudence standing on the Disk of the World. The World is represented as an undulating landscape with many walled cities. The landscape is entirely surrounded by the seas. The disk is supported by a group of dark clouds. Like all the Virtues, Prudence has a black Halo. In one hand she holds a mirror, a scepter in the other one. Prudence is the equivalent of Wisdom. She is associated with the element Earth, and in showing the Earth on this card, Ercole I let it represent our Universe, the Creation in all its facettes, our entire existence.

On his marriage deck Ercole I makes the Universe the central object of the card. The disk is now supported by an Eagle, and Prudence has been replaced by a naked boy angel, holding the Orb of power surmounted by the cross of Jesus in his right hand and a mirror and a small wand in his left hand. The angel and the eagle belong to the four biblic creatures as decribed in Revelation 4:6-9

    And in the midst of the throne, and round about the throne, were

    four beasts full of eyes before and behind.

7. And the first beast was like a lion, and the second beast like a calf,

    and the third beast had a face as a man, and the fourth beast was

    like a flying eagle.

8. And the four beasts had each of them six wings about him ; and they

    were full of eyes within : and they rest not day and night, saying,

    Holy, holy, holy, Lord God Almighty,

    which was, and is, and is to come.

9. And when those beasts give glory and honor and thanks to him

    that sat on the throne, who liveth for ever and ever,

In symbolizing the Creation by the disk of the World and in referencing to the living creatures, Ercole I references directly to the Glory of God, from the Seeds of Creation unto the Ends of Time and continuing in Eternity. God on his throne, surrounded by the four beasts is very often used in religeous art. In the next figure we see this scene with the four winged creatures that symbolize the Four Evangelists surrounding Christ in Majesty, on the Romanesque tympanum of the Cathedral of St. Trophime in Arles. The sculpture in the tympanum above the entrance has been realized around  1180-1190.

With the World, the cycle is closed and the Human Soul is ready for reincarnation.

In Milan, Ludovico Sforza became regent over the Duchy in 1476 when his brother Galeazzo Maria Sforza was murdered. The new Duke, Gian Galeazzo Sforza was at that time still a small boy and only seven years old. In view of his taste for the fine Arts and his excellent relation with Ercole I of Este, it is very well possible that it was Ludovico who commissioned somewhere during the last quarter of the 15th Century (according some specialists probably from an artist in Ferrara) the remaining cards to complete the structure of the Visconti Sforza deck.

What do we learn from the development of the Trionfi decks?

We learn that the Tarot is a living organism, with parents, grand parents and ancestors further away. With any generation the Tarot changed. The number of cards varied, the illustrations themselves took some time before they looked a little bit like their actuel descendants living today. And even illustrations that have an obvious meaning might have had originaly other significations,  completely different. A lovers card originating from the Triumph of Chastity, the Chariot of Victory that had his origin in the Triumph of Love, who could ever imagine this? Maybe it makes no sense, maybe it does.

Nobody can claim that he has the only truth. Our knowledge about the past is developping every day. And thanks to the Internet, many centuries old documents become available for consultation by anyone who desires. But be aware, the Internet is a very dangerous medium. Many false and misleading messages based on nothing are communicated every day on the Internet as being the one and only truth. So you have to be prudent and check your sources, countercheck and check again. Never ever rely on one single source, nor on two, not even on three. They can all have the same false information as origin. Take as an example Tebaldo Visconti, who became Pope Gregory X and Teobaldo Visconti, ancestor of Filippo Maria Visconti who lived and died in the same period. Not one single sourve gives the slightest evidence that these two persons with almost the same name were related. Coming both from Lombardy and having both as family name Visconti is not enough to be sure. To make it worse, both died in 1276. For this reason, many sources confuse them and some “very reliable” genealogy sites state that these two persons are the same, which is far away from the truth. They had 10 years of difference in age and were born in different places. Piacenza, were Pope Gregory X was born, was not a Milanese territory at his birth. It became a Milanese Visconti territory long after the Pope, who spend a great part of his life in the Low Countries, had died.

So be very carefull. Even if my words in these pages might suggest at some places that I am talking about historical evidence, this is not always true, be carefull. The way I speak is because of ease of language. To repeat every two words that historical sources are not always reliable or that for certain statements I was inpired by the cards themselves is very annoying for the reader and kills the story. So, I repeat, my information comes on one side though the Internet and on the other side from the cards themselves. I'm living far away from Europe and I never ever had the opportunity to see one single historical document proving any of the things I am telling here. Maybe many facts are real. The Visconti existed, the Estensi existed, the historical Trionfi cards that survived the centuries are there, there is at least some historical basis onevidence for everything I say. And there where doubt exist, very well, any new evidence can only make my story better, correct some of my wrong assumptions or other errors and bring us closer to historical reality.

In order to advance, it is better to say what you think than to say nothing at all. All great advances in humanity were caused by inspiration of individuals and by subsequent hard brainwork, none of them were the result of repeating the knowledge of others while giving detailed reference to the sources.  Some of the ideas I express are not mine, I only tried to present these ideas in a more convincing way (like the origin of the Popess card, the 5x16 structure of the Visconti di Modrone and the 5x14 structure of the original Visconti Sforza deck),  But others are, like the Pope on the Visconti Sforza card representing the antipope Felix V and  on the Estensi deck  Pope Eugene IV.

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